The supposedly dead parents of a fictional orphan don’t always have to be revealed as key players in a supernatural conspiracy.
Michael Underwood stops by to share the origin story of Celebromancy, why having a bisexual main character was so important to him, and what’s next for Ree.
I’ve never seen an episode of Oprah in my life, but I understand that periodically she would share whatever tickled her fancy with her audience, and today’s my birthday, so I thought it would be a good time to share the things that have tickled mine. (Metaphorically.) I suppose with Thanksgiving coming up I could also title this post ‘Things I’m Grateful For’ but that enters the dodgy world of ending sentences with prepositions. Mostly, I want to share some neat or useful things I’ve found, and I love any excuse to use bullet points.
There has been a lot of bad blood in the geek world in the last couple of months, particularly around the subject of women in nerdom. Apparently there is some phenomenon (which I’ve never personally experienced) of girls pretending to be geeks to get attention. The thing that gets me is that I believe you can be a geek about anything. Geekery is about passion, not cred. There are music geeks, architecture geeks, fashion geeks, and even sports geeks. Comics and sci-fi/fantasy geeks don’t have ownership of the label, we’re just the public face.
In Geekomancy, forthcoming from Pocket Books, author Michael Underwood introduces us to Rhiannon “Ree” Reyes, a barista-slash-screenwriter-slash-geek who discovers the ability to turn science fiction and fantasy props into actual power and pick up super skills from watching TV. With barely a glance over her shoulder, Ree jumps into a world where Magic cards are actually magic, strangers from Faerie hang out in bars, and Aberrant Muses encourage suicides so the Duke of Pwn can get their souls.